When I was a kid, I had the opposite of claustrophobia. I'd call it claustrophilia, but I don't want to pathologize it. I just enjoyed tucking myself into little hideouts and cozy spots: cabinets, closets, an oversized drawer... even the top of the refrigerator, for a spell. (Maybe I don't want to scrutinize this behavior too much.)

Anyway, this proclivity has carried over to my professional life today. I've discovered that my favorite copywriting challenges are those where space is limited. A billboard that people need to take in while driving 70 miles an hour. A thirty-second radio spot. A digital ad that's half the size of a credit card. The back of a frozen entree. Subject lines. Headlines. Taglines. Tweets.

Related: For the past few years, I've been creating little language lessons about grammar, spelling, punctuation, etymology, etc. (See a sampling below.) Each of these social media posts measures only 1080 x 1080 pixels. That's not a lot of room to explain when you should use "loath" instead of "loathe," or how to avoid committing a comma splice. But that restriction is a big part of why I love creating these things. They're like Rubik's cubes. The challenge: How much memorable information can I fit into the square without it feeling like a Dr. Bronner's label?

Now, If you're one of the millions of people who freelance, you've likely heard the mantra that to succeed, you need to "niche down." (Don't ask me to say that out loud—whichever way you pronounce it, you're sure to annoy somebody.) The more specific your expertise, say all the career coaches, the better. You're supposed to specialize in some industry "vertical": dentistry, landscaping, badminton... something.

But I don't want to. I love promoting all sorts of products and services: beer and banks and boarding schools. If I particularly love the work a client does (like Invest in Girls, say), then that's just icing on the cake. (Oh—I've gotten to write lots about cake. And icing.)

So I think that rather than niching down in the usual sense, I'd like to focus on small spaces. I'll take a pass on the long white papers and ebooks. Bring on the ads. The emails. The out-of-home. I want to work on posters and postcards and packaging. Give me a small space, and I will do big things.℠ 

Just now, I was working on an email that includes a lesson about when to use "awhile" and when to use "a while." And after... well, a while, that "while" and "awhile" business started to look mighty weird. Almost like they weren't words at all but just a meaningless collection of letters.

If you've ever experienced such a phenomenon, then you've felt semantic satiation. Instead of paraphrasing the Wikipedia article, I will simply point you there, should you want to learn more about it.​

​If you didn't know the sensation of semantic satiation before, I'll bet you do now. :)

I am a copywriter, not a designer. But back in 2016 when I started freelancing full-time, I decided that I wanted to learn how to use Adobe Illustrator. I couldn't exactly justify it, but the urge was strong enough that I started paying a hefty chunk of change for an Adobe Suite subscription.

Copywriting always comes first, but whenever I can, I take Skillshare classes* and practice using Adobe Illustrator. One of the first classes I took was taught by Aaron Draplin. He was blazingly fast, but I did my best to follow along. Everything he did was captivating and inspirational.

When I learned that he was going to be giving a workshop in Denver this week, I thought, "What the heck—why not?" I whipped out my credit card and got my spot in a class that sold out in just a few days. It was well worth the price to get in-person teaching time from the guy who's created designs for the likes of Target, Nike, Bernie Sanders, and the US Postal Service.

My dream was that he could give me some one-on-one guidance on a logo I volunteered to create for a local nonprofit. Working on this thing has proven to me that everyone should pay good designers all the money. If you've ever gotten the impression that graphic design is easy or quick, you are woefully mistaken. It is seriously challenging, and it takes time. Lots and lots of time.

Well, at yesterday's workshop, I quickly realized that there could be no personalized guidance from Mr. Draplin. There were way too many people and not enough time. But I learned a lot, and I feel more at ease about finishing up my logo. (Fortunately, I know several talented designers who are willing to help me along.)

Note to self: Do not waste the reader's time by beating yourself up about how long it's taken you to write this blog. No one cares but you.

OK. So.

This summer I decided to take a trip to Boise. (Which—side note—the locals pronounce with a sibilant "s": "BOY-see.")

"Why do you want to go there?" many people asked, including my husband.

Let's see: Because I've heard lots of good things about it. Because I could get a direct flight on my favorite airline, Southwest. Because I've never been there before and now that I'm living in Colorado, it's pretty darn close. Mostly, because I'm a freelancer, and so I CAN.

So I got a flight, arranged a handful of meetings with Boise folks who might need a copywriter, booked a tiny little Airbnb house, and rented a car.

To my frustration, my workload burgeoned during this trip, so I spent many, many hours at the kitchen table of my Airbnb typing out persuasive prose. But I also managed to get out and about a bit. Here are a few of the things I enjoyed. 

In addition to exploring and taking these photos, I learned the following about Boise.

• Lots of folks fleeing San Francisco's ridiculously expensive real estate situation have moved to Boise and hiked up prices.
• Not a lot of bumper stickers in this town.
• No shortage of Caucasians.
• Boise has an enclave of Basque people. Next time I go, I will need to visit the Basque Museum and Cultural Center.
• Boise has license plates that say, "Famous Potatoes."

To me, traveling is one of the greatest perks of freelancing. Next stop: Austin!

That's the name of a 1935 song I've listened to a zillion times—sometimes as a recording by Fats Waller or Louis Armstrong, but most often, belted out by my father, who (as I've mentioned before) adored that sort of music.

Unlike the protagonist of the song, however, I'm not inspired by romance. My goal is sanity. Or perspective, anyway.

See, I've noticed that, depending on circumstances, I can regard the world in drastically different ways.

When I'm approaching the deadline a large writing project, I can be filled with dread, self-doubt, and self-recrimination (for procrastinating). But then, at some point in the writing process, I find myself thinking, "Say! This is really good! I actually love this!" See the discrepancy there? Persona A: pained, fretting, reluctant victim. Persona B: fortunate, fulfilled, happy professional.

Similarly, when circumstances in my life get troublesome, I catastrophize. I am preternaturally talented at this. I can envision loved ones in prison or dead; I can enumerate all the ways my health might fail. It's not that I truly believe the worst is going to happen, exactly; but I sure can picture it. I have a terrific imagination, which can also be a terrible imagination. Eventually however, when my circumstances improve, I can recognize how silly I've been. I'm flooded not only with relief, but optimism. I admonish The Worrier in me and my whole outlook brightens.

So here's what I'm thinking. Why don't I write myself a letter?

When I'm feeling like a self-possessed copywriting pro, why don't I write a letter to the neurotic, tortured incompetent who will certainly show up at some point? I might set down assurances like, "I know you're nervous. But I promise you with absolute certainty: You are going to be fine, and this project is going to turn out great. Just keep on writing. Every word you type will get you closer to a finished result that you love. Go on."

Similarly, at one of those moments when my temporary troubles abate and I see my way out of doom-filled concern into sunshiny rationality, I should write my former (and future) fretting self: "Just cut it out, worrywart. First, it doesn't do you any good. Second, what you're envisioning is truly preposterous."

If I write to myself, I could help myself.

Come to think of it, though, maybe I don't need to write a literal letter. I believe this blog post will do the trick nicely.

Yours sincerely,

​Sara

I just returned from a full seven days in Seattle—my first time visiting. I was attending CreativePro Week, a fantabulous conference I highly recommend for graphic designers. (Next year's will be held in Austin.)

Here are a few things I loved about it.

• Within my first fifteen minutes at the conference, I ran into one of my favorite former colleagues from Publix Super Markets, Inc., dynamite designer and lovely human Neal Mitchell. As you can see, we were a good distance from the office we used to work in together. Small world and all that.

​

• I gave an Ignite talk (20 slides auto-advancing every 15 seconds over 5 minutes) about the history of "lorem ipsum" placeholder text and many other topics having to do with English, etymology, printing, and the like. I learned SO MUCH preparing this talk. Did you know, for example, that the man who gave Timex its name, according to his son, liked to read Time magazine and used a lot of Kleenex, so he put the two names together? (This is a slide from my presentation.)

That photo is a pretty good representation of my trip: just lovely. I'm so glad I went, and I'm looking forward to CreativePro Week 2020!

The good news is that I've been busy lately.

The bad news is that I haven't had time to do all the stuff I love to do, including writing for me. I've started a LinkedIn article called "Don't Write Like a Psychopath" that I can't wait to finish. I've been invited to write a blog for the fine folks at CreativePro.com but haven't had a chance to do it just yet. And I want to put together the Ignite talk I'm giving at CreativePro Week in June, but that's not happening just yet.

But dangit, I'm going to write a blog right now, and everything else can wait. I'm going to make this quick—and hopefully compelling and/or informative.

• I attended Crop last week in Baton Rouge, and it was FABulous. I'm so glad I went. In addition to learning from and meeting some amazing designers, I got to spend several hours in New Orleans eating a great meal at Atchafalaya and walking up and down Magazine Street.
• I've been binge-listening to My Favorite Murder, the wildly popular true-crime comedy podcast. I'm not sure I'm ready to call myself a murderino, but I may be getting there.
• I've gotten involved with a great freelancing group in Denver. We're going to host Freelance Business Week in Denver September 30–October 4, 2019, should anyone want to speak, attend, or volunteer.
• I got help from Drew Hornbein and I now have sign-up pages for two emails I send out. One is a listing of events in the Denver-Boulder area that freelancers, graphic designers, and other creative types might appreciate; the other is an email that includes the little grammar/spelling lessons I've been sharing on social media. Feel free to sign up!
• I attended the Ad Club Freelancer Fling this week, and it was a great opportunity to share my wonderful new business cards, designed by my friend Michael Reardon. Each card has a different fun word and definition on the back, including "sesquipedalian," "collywobbles," and "hornswoggle."
• I've been volunteering a lot lately, not only for the aforementioned freelancers group but for the wonderful Sister Carmen Food Bank, AIGA Colorado, and The One Club for Creativity Denver. 
• This weekend, I'm getting together with 11 of my friends from college--an event I look forward to every year.

​
Those are the highlights. Consider this weblog updated!

We live in a time when I need to say this: Nazis are bad.

And I could use this space to analyze when the word "Nazi" has managed to qualify as amusing, and when it hasn't, and why. But that's not what I want to focus on.*

Let's leave the word "Nazi" aside for a few minutes and instead talk about the common prototype of  a dictatorial, hairsplitting, pedantic, shrill, strident curmudgeon who haughtily corrects everyone around her. Call it a grammar cop. Or a grammar dominatrix. A grammar fire-breathing dragon.

I'm none of those things.

What I am is a language lover. I'm a fan of clear, well-crafted sentences. And yes, I've been known to cringe when I hear or see errors of grammar, spelling, punctuation, and the like. But I'm not going to push anyone's nose in their mess and shame them for making a mistake.**

Instead, I try to give everyone the benefit of the doubt and assume that all of us are doing our best. We've all had different upbringings and educational opportunities, and we all have different kinds of brains. (Some people, for example, are predisposed to utter spoonerisms or misspell words. You can blame your genes.)

For those who want to write and speak more clearly and correctly, I will happily share what I know and try to provide assistance. Almost daily, I post little spelling and grammar hints (many of which you can see here) on LinkedIn, Instagram, Facebook, and Twitter. I want to help people distinguish between "me," "myself," and "I" and know their "they'res" from their "theres."

Essentially, my attitude toward language is one of fascination and appreciation. I want to share my enthusiasm. I want to spread the love. And there's nothing Nazi-like about that.

My father loved music and did a lot of singing. Peggy Lee, Ella Fitzgerald, Louis Armstrong—that sort of thing. He'd sing "Flat-Foot Floogie (with a Floy Floy)," "I'm Gonna Sit Right Down and Write Myself a Letter," "Why Don't You Love Me Like You Used to Do," and on and on. I mean, there were a lot of songs, and he knew all the lyrics.

One song he sang frequently reflected his outlook, I believe: "​Ac-Cent-Tchu-Ate the Positive," penned by Johnny Mercer, pictured above. You can easily find the complete lyrics online (or just listen to the song), but here's the crux:

You got to ac-cent-tchu-ate the positive
E-lim-i-nate the negative
And latch on to the affirmative
Don't mess with Mr. In-Between

You got to spread joy up to the maximum
Bring gloom down to the minimum
And have faith, or pandemonium
Liable to walk upon the scene

I absorbed this lesson pretty deeply as a kid. It's how I generally made my way through life as a young person—latching onto the affirmative. Also e-lim-i-nating the negative, which is sometimes less snazzily called "denial." When faced with less-than-ideal situations, I was pretty adept at pretending they didn't exist.

I suspect that's part of the reason l became a copywriter. I can play up whatever is good about a product and downplay anything that might be not-so-good. It comes naturally to me.

When I hear about a problem, the first words out of my mouth are often "At least..." followed by some silver lining or another. "At least she'll still have one leg," I might say, upon hearing of someone's amputation. "At least I learned a lesson," I might comfort myself after losing money due to some numbskulled mistake.

This trait can get preposterous if you're not careful. As demonstrated unforgettably in Monty Python's Life of Brian:​

I volunteered for the High Plains Comedy Festival back in August. At orientation, all the volunteers took a moment to introduce themselves, explain their volunteering roles, and name their favorite comedians. When I admitted that my favorite comic was Louis C.K., it was with a lot of angst-ridden facial expressions, wringing hands, and the preface of, "I know this is bad, but..."

My strenuous ambivalence was due to the revelation that Louis C.K. had, over the years, engaged what is euphemistically called "sexual misconduct," but which was, more accurately, "masturbating in front of women who were intimidated by him."

Fast-forward to the end of last month, when a bootleg recording of a recent Louis C.K. performance surfaced. It contained disparaging comments about "kids today" (my cliché, not his), painting them as overly confident, overly demanding, and overly entitled. Specifically, he derided 1) the survivors of the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida, and 2) kids who don't identify as male or female and have the audacity to say so.

I'm not going to talk here about whether this was cruel or tasteless. I'm not going to opine about whether it was funny or not.

I'm just going to say this: The idea that today's teenagers should behave exactly like Louis CK did in the early 1980s is not only fallacious, it's the very definition of anti-progressive. It's no different from crotchety old racists who want to keep abusing black people because that's what they've always done. Progress means recognizing that old does not equal good, and that we always need to work to recognize our shortcomings and mistakes and commit to do better.  

So, though the rosy tableau Louis C.K. paints of youths of lore "finger-fucking each other and doing Jello shots" is surely charming, I'm going to point out that It's not the immutable ideal. It's not helpful. It's not good enough.

Progress means realizing that when your friends and siblings are getting gunned down in front of you and adults are doing absolutely nothing to stop it, it's time for you to effect change. Despite Louis C.K.'s declaration to teens that, "You’re young. You should be crazy. You should be unhinged," they can't really afford to indulge themselves like you did, Louie.

Look at Mari Copeny. This child isn't even a teenager yet and she's done more for residents of Flint, Michigan (whose water is still poisoned), than politicians five times her age seem to be able to. She's raised tens of thousands of dollars to provide residents with clean water and to give students backpacks filled with school supplies. I wish this little girl could enjoy a more carefree life. But I deeply respect the fact that she decided she can't afford to. She has a true moral compass. A commitment to positive change. She has optimism and a conscience, and she serves as a shining example for how we can—and should—do better.

Louis C.K. could learn a lot from her.

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